Craig and Andrew team up with their evil selves this week to read Robert Louis Stevenson's Dr. Jekyll and Mr. Hyde. Well, not really. But in honor of our 20th episode, we did  both read the book this week, mixing up our usual format a bit.

What follows is a discussion on the duality of man, abridged books, and that thing that happens when stories like this gloss over scientific explanations so as to avoid boring the audience.

We're back from our hiatus, and to kick the rust off we're diving right into a thorny discussion about race, sexuality, and poverty with Alice Walker's The Color Purple.

Also, we have a brief discussion of the movie version of World War Z, our overdue book from a few weeks back.

"You know Frankenstein's the name of the doctor, not the monster - right? "

Despite decades of metal bolts and flat green foreheads muddying the waters, Mary Shelley's original Frankenstein  has endured. So much so that it almost seems old hat to correct people for thinking that lumbering monstrosities in big heavy boots are called Frankensteins.

Turns out there's still plenty to learn from Shelley's Modern Prometheus. On this week's episode, we discuss the finer points of creature creation, bum out over Nature vs. Nurture, and answer some of your questions. 

A.A. Milne's famous bear is almost ninety years old. The first collection of Winnie-the-Pooh stories was published in 1926, yet many of us first traveled to the Hundred Acre Wood via the many cartoons and movies released by Disney.

In this week's episode, we discuss the first appearances of all your old favorites: Pooh, Piglet, Eeyore, and more. Tune in to learn about Bears of No Brains At All, sad birthday parties, and how to save a Piglet in a rainstorm.​

Max Brooks' World War Z, soon to be a not-awesome-looking motion picture, takes an interesting approach to the zombie apocalypse story: it's told through interviews with multiple survivors of a global conflict, rather than viewing an outbreak through the eyes of a handful of people.

Brooks also uses the story to comment on American warmongering, deep-seated conflicts between countries, and the psychological impact of war. Even if you don't like zombie fiction, this one's worth a try.​

Whether or not you’ve read The Elements of Style, the writing rules and techniques you learned in grade school likely came from Strunk and White’s “little book.” 

Craig had never read the book, and he thought chatting up Andrew – who gets paid to put words on the Internet – about S&W’s various axioms might prove entertaining.

Join us as we (dis)agree on a few key rules, chat incessantly about segues/segways, and tie ourselves in linguistic knots.

When you talk about a witch-hunt, you aren't normally referring to sane, procedural, and fair trials. You're talking about a fear-driven investigation driven by suspicions rather than facts, where personal agendas can be more influential than ​alibis and evidence.

That's the thrust of Arthur Miller's 1953 play The Crucible, which Andrew read this week. We also talk about how the events of the play reflect the then-current Red Scare, and how witch-hunt mentality continues to persist even today.

Ernest J. Gaines' Pulitzer-nominated novel A Lesson Before Dying​ takes place in 1940s Jim Crow Louisiana, where a black schoolteacher is asked to visit a young man on death row.

Similar to last week's episode, the discuss leans toward the serious - racism, cultural divisions, and one's duty to his community - but our fervent desire to remain politically correct should help lighten the mood. ​

Breaking a three-show "books from circa 1900" streak, Andrew tackles Jeffrey Eugenides' Pulitzer Prize winning Middlesex​​, a tale of love, incest, time-jumping, emigration, and hermaphroditism.

Like the book itself, this show tackles some fairly heavy topics while still keeping things light and conversational. Join us for a discussion of duality, transformation, and just why "normal" isn't really a thing.​