A podcast about the books you've been meaning to read. Updates Mondays.
Overdue is a podcast about the books you've been meaning to read. Join Andrew and Craig each week as they tackle a new title from their backlog. Classic literature, obscure plays, goofy murder mysteries: they'll read it all, one overdue book at a time.
Harper Lee's To Kill a Mockingbird is a classic of American literature, and for good reason. The follow-up-slash-first-draft, Go Set a Watchman, doesn't have the same impact, but it's a fascinating look at how books change during the editing process.
This show was recorded live in Philadelphia, PA. Thanks to everyone who came out!
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There's a reason why words like "Orwellian" and "thoughtcrime" have stuck in the public consciousness for more than 65 years, and that reason is George Orwell's 1984.
A denser, more complex read than Orwell's also-famous Animal Farm, 1984 is a story about systemic government oppression and the dark side of humanity. We lighten up the proceedings a bit with talk about not one but TWO Hank Williams Jr. songs, the wonders of modern technology, and criticism of criticism of criticism.
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This is the first entry in our four-part journey down the J.R.R. Tolkien rabbit hole that so many of you wanted us to journey down. Andrew and Craig have both already read The Hobbit, the shorter, lighter prequel to the Lord of the Rings trilogy, so Craig's sister Jillian joins us for the ride.
Join us for a talk about Tolkien, bedazzled dragons, and one weird trick that giant spiders will HATE.
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Robert Penn Warren's 1947 Pulitzer Prize winning novel All the King's Men has been called "uneven as a corduroy road," "sloppy," and "one of American literature's definitive political novels." That all seems accurate when you consider that it's a 600-page melange of detective work, City Hall intrigue, and philosophizing about the fallibility of man.
Join us this week for a discussion of headgums and selling out, movie-burping, New Criticism, meat axes, Huey Long, and the bummer that is American politics.
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Not all mystery novels are about stolen jewels, secret passageways, and shifty butlers. Sometimes, they're just about a man in a hospital bed who becomes obsessed with Richard III.
Joining us this week is special guest Lauren Spohrer of the true crime podcast Criminal, who takes us through Josephine Tey's renowned mystery The Daughter of Time
Other talking points include how winners write history, the dos and don'ts of detective work, the Society of Richard III, and a Very Private Person.
You can find out more about Criminal at thisiscriminal.com or by following Lauren on Twitter.
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If you've ever worked in an office, at least a passage or two in Joshua Ferris' Then We Came To The End is going to resonate with you. Few books so accurately capture the extremely important, unimportant minutiae of office life.
Join us for our office ruminations, some fall follies, and some email-related observations. It's just as fun as it sounds!
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One of Edith Wharton's few stories set outside the realm of the American upper class, Ethan Frome is a story about a Massachusetts farmer trying to live out his heart-dreams.
Join us for a discussion of his totally-not-okay heart dreams, Andrew's cat Newman, ghosts, makeup, Seinfeld, and pickle dishes.
(That list makes it sound like we didn't talk about the book, but we totally did. We promise.)
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We go out in the wilderness for this month's bonus episode, living off the land and making friends with animals and playing homemade flutes with our new bestest buddy Bando.
We also talk about our secrets, the ways an adult should respond when presented with a 12-year-old who appears to be homeless, and a whole lot more.
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Coming-of-age novels are a dime a dozen, but Judy Blume's Are You There God? It's Me, Margaret is one of the best known. It's such a significant work that we invited our pal Margaret H. Willison back to help us through it—she is, obviously, an expert on all things Margaret.
This week we talk about our changing bodies, running for no reason, and some truly horrifying bra shopping experiences. Enjoy!
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Margaret Edson's rewarding play Wit (sometimes spelled W;t) is not light, boulevard comedy fare. Inspired by Edson's time in a Washington, D.C. research hospital, the play tackles death from a number of angles including cancer treatments and 17th-century poetry. But what makes it such an enduring entry into the modern canon is how Edson handles these subjects with surprising humor and, well, wit. (Sorry.)
Discussion points include legacy, favorite teachers from our childhood, and what we lose as we fight to stay alive.
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