A podcast about the books you've been meaning to read. Updates Mondays.
Overdue is a podcast about the books you've been meaning to read. Join Andrew and Craig each week as they tackle a new title from their backlog. Classic literature, obscure plays, goofy murder mysteries: they'll read it all, one overdue book at a time.
This episode, instead of a book we read YOUR questions! Topics range from the five characters you'd meet at an Overdue dinner party to what makes a great diaper. We also have a blast chatting with our livestream audience.
As always, thanks to our Patreon supporters for making these bonus episodes possible! Visit patreon.com/overduepod to find out how you can support the show.
Michel Faber's 2002 novel The Crimson Petal and the White has been hailed as a Dickensian tale with a saucy, modern narrator. How exactly does he pull that off in an epic story steeped in the history of Victorian London? And how does he play with our own expectations of the period? Find out in this week's episode!
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In this week's episode, we talk about the very nature of what makes a superhero (or an anti-hero, or a supervillain) a superhero (or anti-hero, or supervillain), in between talking about our ideal Father's Day and how Harry Potter and the D&D alignment chart informs how people of a certain age think about all fictional characters.
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Lorraine Hansberry's classic play A Raisin in the Sun endures for its insightful portrait of a black family in Chicago fighting for a better life. Inspired by her own family's experience with racial housing discrimination, it's a complex piece about who gets to get ahead, how, and why.
And of course, we had to balance the gravity of this gem from Hansberry's brief but momentous career with a deep dive on where raisins come from.
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Shirley Jackson's We Have Always Lived In The Castle shares some qualities with her best-known short story The Lottery; both feature small New England towns that are the site of some unfortunate mob action. Join us for a conversation about non-supernatural creepiness, unreliable narrators, and early flights.
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Our voyage ends with Book 24, which includes one more amazing Odysseus lie and a heaping serving of deus ex machina. Then it's time to reflect on our journey from high school English students enduring a long reading assignment to olive-oiled men who love a good epic poem. Thanks for joining us on this trek through Emily Wilson's translation of Homer's Odyssey!
Caveat lictor: this episode contains mild spoilers for Drowning Ruth.
Christina Schwarz's debut novel weaves together three main threads: historical fiction, melodramatic mystery, and sisterhood. The result is an interesting portrait of women in Depression-era Wisconsin striving for self-determination.
Additional talking points include knock-knock tips, Jonathan Franzen's Oprah complaints, and the Tooth Fairy's pyramid scheme.
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Madeline Miller's Circe is a great chaser for Emily Wilson's translation of The Odyssey, and it's an excellent exploration of a mythological character who has often been maligned. Miller's Circe is modern but also instantly recognizable and easy to reconcile with her classical depictions.
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We're almost at the end of our long journey, but before we wrap up with Book 24 and our closing thoughts, we took some time to sit down with Emily Wilson and chat about her wonderful translation of Homer's Odyssey. Among other topics, we talked with her about her process, Telemachus' entertaining whining, and why all these boys are oiling themselves up all the time.
Look...if you had one shot (or one opportunity) to undo everything Lee Harvey Oswald ever wanted - in one moment - would you capture it or just let it slip?
Stephen King's time-traveling doorstop of a novel 11/22/63 takes us back to the good ol' days when men were men who made plans to assassinate presidents. Discussion points include time travel rules and how much time travel rules, past slang and past meats, and the introduction of Craig's new timehopping bud.
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