What's there to enjoy about a 2400-year-old tragedy? Is it the ekkyklemas? The god-chariots? Or is it the protagonist so wounded by her husband's actions that she's driven to commit atrocities only Breaking Bad's willing to put on TV?

What if there's nothing to enjoy? Maybe that's why Euripides received third prize out of three when he submitted Medea  to the annual Athenian theater festival in 431 BCE. Join us this week as we debate the tragedy's merits, bumble our Greek vocabulary, and make the obligatory Tyler Perry joke.

Andrew wanted something short and funny for his selection this week, and he got it in Oscar Wilde's The Importance of Being Earnest. It's up for debate whether Wilde actually meant to say anything with this farcical comedy, but if there's one thing to take away from it it's "stop taking everything so seriously all the time."

We tried to wrap this one up early and then accidentally got into a sort-of-personal talk about the nature of marriage. Enjoy!

Ray Bradbury once described his first novel, The Martian Chronicles, as a collection of short stories "pretending to be a novel." In fact, many of the Martian stories were published individually, and it wasn't until 1950 that Bradbury stitched them all together.

This patchwork storytelling made it hard for us to get a bead on Chronicles . Craig liked it, but we found it hard to discuss why without the benefit of a central character or singular narrative. That said, you can still join us for a lively talk about colonialism, space travel, Fearing the Bomb, and twerking (for some reason).

It's rare that we read a book and just out-and-out dislike it, but that's what happened when Andrew read Dave Eggers' You Shall Know Our Velocity! Eggers' tale of two young men who travel around the world and give away $32,000 may have resonated with reviewers, but Andrew had trouble getting into it.

What follows is a discussion less about the book's plotting and themes, and more about Andrew's reaction to the book and just what he didn't enjoy about it (and why). Apologies for the audio quality on this one; it was recorded in Andrew's now-former apartment, and echoes abound though we have tried our best to minimize them.

Craig's never read Jane Austen. Yes, it's unbelievable. Yes, it's sort of shameful. But making up for that kind of thing is what this show's all about!

Join us for a lively discussion about Jane Austen's last novel - a charming tale of love and marriage as well as a subversive satire of the system that encompasses both. (We also talk about historical fiction, bad days, and cool pizza.)

Intelligence is a wonderful thing, but as this week's book shows us it isn't the only thing. In Daniel Keyes' classic, developmentally disabled man Charlie Gordon is transformed into a genius basically overnight, but his emotional growth can't quite keep pace with his intellectual growth. It doesn't help matters that his transformation ultimately proves to be temporary.

It's a deeply moving story, but it's not uplifting. Everyone just try to be happy, OK?

This week's show is all about revisiting past shows - the book Craig read, John Gardner's Grendel, is a modern prequel and/or retelling of the Beowulf myth. The book deals with monsters and the nature of good and evil, much like Frankenstein or Jekyll and Hyde. The book is all about the roles we play and the ways we try to impose order on chaos, much like Breakfast of Champions. 

Anyway, this one's apparently for those of you who have been listening to us since the early days. Thanks for that.

In the book's preface, Vonnegut called Breakfast of Champions  an attempt to "clear his head of all the junk in there." He wasn't kidding. Breakfast  is a melange of narrative, sketches, and character sketches - and Andrew totally dug it. 

This week we discuss current events (specifically royal babies), Vonnegut's voice, and the benefits of self-insertion. 

What is Antony and Cleopatra ? Tragedy? Romance? History? Comedy ? The conventional wisdom is to pick tragedy, but this messy entry in the later chapters of Shakespeare's canon dances between the Bard's genres like a "high-coloured" Lepidus.

This week we struggle with Shakespeare's portrayal of the titular heroine, get lost in the play's globe-trotting plot, and - for good measure - debate the finer points of Sister, Sister .

One note for this one: while every episode has a general spoiler warning attached to it, we spoil Yann Martel's Life of Pi in a pretty big way in this show, so if you have the movie next in your Netflix queue or something you may want to hold off.  

That said, if you don't care about spoilers, join us for a lively discussion of the current heat wave, swearing, religion, and tigers in boats!